Over-Ear Open Headphones Reviews

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Kalman Rubinson  |  Nov 29, 2010  |  4 comments
I remember my first experience with headphones. In 1960, I bought a set of Trimm dual 'phones (less than $5) and rewired them for stereo. The experience was remarkable for several reasons. First, it brought the sounds into my head—I was thrilled with the impact. Second, stereo effects, especially with Enoch Light's ping-pong LPs (eg, Provocative Percussion, Command RS800SD), were striking. Third, I could play them really loud without bothering others. Of course, they had no bass, brittle treble, distorted at high levels, and their wire headband and Bakelite earpieces were uncomfortable. My fascination with this gimmick quickly faded.
Wes Phillips  |  Jul 14, 2009  |  1 comments
Sennheiser's long-awaited (seven years) HD 800 sure isn't subtle—at least, not in appearance. The HD 800's large earpieces are made from a combination of absorbing composites and functional metal accents, and are huge. Of course, they have to be to house the 56mm ring-radiator transducers—and to mount them so they're firing "back" to your ears from the front. Also not subtle is the price: $1399.95.
Wes Phillips  |  Aug 19, 2006  |  3 comments
Oh mama, was I ever excited when I heard rumors of the existence of AKG's K 701! If you're among the audiophiles who sneer at those of us who like headphones, you're probably rolling your eyes and thinking I must lack a rich inner life.

But hold on there, Skippy—some of us use those cans in our prosumer studios, in recording sessions, and even in barn-burning late-night critical listening sessions where we employ ancillary equipment that would beggar your jaded high-end sensibilities. We're not talking about the three-buck, upchuck disposable 'phones your friendly flight attendant flogs before your in-flight main feature. We're talking about serious tools that can reveal a flea fart in a cathedral.

Thomas J. Norton  |  Feb 07, 1994  |  0 comments
You'd probably be surprised to learn that headphones are the most common means for listening to music. No, I didn't get that from a book, but from personal observation. I'm referring here to personal portable stereo listening—the ubiquitous Jogman with which a whole generation has retreated into its own private world, isolated from traffic noise, muggers, and, at home, housemates or parents screaming "Turn it down!"

Audiophiles discovered the benefits of headphone listening years ago. I still remember my first set of Koss Stereophones—nirvana for a college student in a tiny, shared dorm room. This ability to listen privately without disturbing—or being disturbed by—others remains the major reason audiophiles seek out good headphones.

Thomas J. Norton  |  Feb 02, 1994  |  1 comments
While headphone listening remains secondary to that of loudspeakers for most serious listeners, it's still an important alternative for many. And while good conventional headphones exist, electrostatics are usually considered first when the highest playback quality is required. As always, there are exceptions (Grado's headphones come immediately to mind), but most high-end headphones are electrostatic—such designs offer the benefits of electrostatic loudspeakers without their dynamic limitations. Last year I reviewed the Koss ESP/950 electrostatics (Vol.15 No.12), a remarkable set of headphones from the company that practically invented headphones for serious home listening. Here I listen to examples from two other companies, each known for its headphones since Pluto was a pup.
Thomas J. Norton  |  Dec 03, 1992  |  2 comments
Love 'em or hate 'em, headphones serve a purpose. My first headphones were Kosses, and they were perfect for use in a college dorm. While I've always owned a pair or more over the years, somehow they never became my primary mode of listening, except in situations where using loudspeakers at satisfying levels risked eviction, bodily harm, or both.

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