Wes Phillips

Wes Phillips  |  Apr 23, 2006  |  0 comments
Looking at all of the high-end headphones and headphone accessories available today, it's difficult to even remember how barren the head-fi landscape was in the early 1990s. Back then, headphones got no respect, except for exotic, expensive electrostatic models, yet most of the world listened to music through headphones all the time, mostly through crappy cans connected to portable players. (Well, maybe it wasn't that different a landscape.)
Wes Phillips  |  Oct 23, 2005  |  0 comments
Back in March, I wrote a reviewlet of Channel Islands Audio's VHP•1 headphone amplifier for the Stereophile eNewsletter. (What—you aren't receiving that free download yet? Well, log on to www.stereophile.com and opt in.) The VHP•1 has continued to enchant me—reason enough to examine it in greater detail, I reckoned. But the real reason I returned to the VHP•1 ($349) is that CIA's Dusty Vawter recently sent me his new VAC•1 ($159), a replacement power supply for the VHP•1's stock wall-wart supply. Could a new power supply really offer a substantial improvement in performance?
Wes Phillips  |  Sep 01, 2005  |  0 comments
The Emmeline SR-71 portable headphone amplifier ($395) is small but not light. Housed in an extruded-aluminum chassis with a bolt-on faceplate and a rear panel and battery cover that attaches with a thumb-screw, it measures 3.5" by 2.5" by 1.5" and weighs 11oz. That sounds light, especially compared to some of the headphone amps I've carted around in the past—not to mention their four–D-cell extended power supplies—but in the iPod era, it's the portable equivalent of a class-A power amp. So why would anybody be willing to lug it around?

Pages

X